A candid interview (continued)

EX: Now that you're involved in producing anime, do you still watch it?

SF: Now that I am doing more creative planning work I try to watch as much as I can. When I was doing cels and inbetweens, I had no time to watch--and not much money to rent either. When you are making anime, it gets really hard to watch it because the errors and bad work really stand out. I think that at a certain point you have to decide that you either hate it and get out of the business or find the good things in it and stay. Where I used to think, "Look how many corners they cut - this is lame!" I now think, "That's a good way around that problem. These guys really thought it out," and I can enjoy it again. I don't have the time to watch much TV so I wait until it comes out collected on video and rent the first tape to see what it is like. I watch 80% of the OVAs and almost all the movies that come out.


EX: What are your favorite shows?

SF: "Favorite" meaning the ones I enjoy most rather than the ones that I think are technically or artistically the best, yes? (There are some shows that I like that are, how shall we say, "less than perfect" and others that I don't particularly like that were technically brilliant.)
Currently or recently running: About the only recent shows, TV-wise, that stood out enough for me and that I liked are EVANGELION and ST. TAIL. OVAs that I liked recently would be ARMITAGE III, FAM & IRI, KEY THE METAL IDOL, and MACROSS PLUS. Movies - GHOST IN THE SHELL.
Shows that I still like from the past are:
TV: ZETA GUNDAM, MOTHER IS A 4TH GRADER, SSX, FIST OF THE NORTH STAR (the first part), ASHITA NO JOE, AKANUKE ICHIBAN, SPACE COBRA, URUSEI YATSURA, MAISON IKKOKU, CREAMY MAMI / MAGICAL EMI / PERSIA / PASTEL YUMI (I'll count them all as one...)
OVA: NAKI NO RYU (1), YOJUUTOSHI (Wicked City), SEMISHIGURE, WINDARIA, NINJA SCROLL, HI NO TORI (1), 3X3 EYES, TWILLIGHT Q (1), GOKUU, PROJECT A-KO (1), NINETEEN.
Movies: PATLABOR 1 & 2, URUSEI YATSURA 1 - 4 (especially 2), MOBILE SUIT GUNDAM I - III, CRUSHER JOE, TOTORO, ANO HI NI KAERITAI (Orange Road movie), MACROSS: DO YOU REMEMBER LOVE, ANGEL'S EGG, FIST OF THE NORTH STAR, GRAVE OF THE FIREFLIES.
My all-time favorite work of Japanese animation is BOBBY NI KUBITTAKE (Bobby's Girl).


EX: Okay, since you brought it up, which do you think are technically well done?

SF: I feel that the majority of the shows in the preceeding paragraph were pretty well made. I think that most everything Studio Ghibli does is very high quality. Likewise, all of Otomo's works are very well done. WINGS OF HONNEAMISE was a lovely film and had the most incredible atmosphere. There was a lot of high quality animation in the SILENT MOEBIUS movies.


EX: Is there a particular genre of anime that appeals to you?
SF: The anime that appeals to me most is that which builds a unique atmosphere and world that sucks me into it when I am watching. I have to be interested in the story and characters and what is going on to be pulled in. Pretty much any genre can do this. I guess I lean towards science fiction though.


EX: Naysayers have been bemoaning the 'end of Japanese animation' for some time now, especially when the recession hit Japan. Do you think that animation is on a 'downward slump'?

SF: Naysayers have said that anime was dying since the OVA boom. I don't think it is overall though. I think that TV production is on a downward slump, due to economic reasons, and that there are producers and sponsors who are scared that they will lose everything on one title so they stick with formula shows, remakes of old shows, continuations of popular (or once popular) series and "sure things." TV will not swing all the way back up, but the decline will be stopped by computer-assisted animation systems. As long as there are a good number of companies producing new, exciting stuff--and there are--Japanese animation will not crash.
The games industry has recently drawn off a lot of talent and energy from the anime industry, which has slowed down animation production overall. A lot of anime studios are setting up or spinning off games sections or companies and available talent is being spread thinner so it is harder to meet schedules and focus funding on the anime shows. Once equilibrium is reached then both the games and anime will get better. Hard to say what will happen when the games boom ends.


EX: What do you think of the current trend of doing 'Drama CDS' and radio shows of anime programs?

SF: There are a lot of people who are really interested in it. (I like to listen to old radio dramas from the pre-TV days, so I guess it is the same thing.) Radio dramas do really well in the ratings and I think it is a good way for people who would never look at the anime normally to find out about it. I don't really follow voice actors and actresses and don't collect their albums or anything myself. Voice acting is like camera in that if you have really poor acting it can kill the show but different in that if the acting is great but the animation is lame the whole show will be lame. (continued)