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The Kingdom of Fanelia.


Zaibach's floating fortress, Veewon. |
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(page 2 of 3)
The Vision of Kawamori

This "retro tech" idea is nothing new in anime. NADIA
is based, albeit loosely, on Jules Verne's 10,000
LEAGUES UNDER
THE SEA. In
ORGUSS 02,
combat mecha from the future appear in the past by accident, and are
used by two opposing nations in a conflict. KISHIN
HEIDAN features a
version of World War II where Earth is under attack by aliens. Capturing
computer modules from alien drones, these are then used to control
turbine powered robots called Machine Gods to fend off the alien
threat.
As the saying goes,
however, it's all in the details, and what sets
ESCAFLOWNE apart from
the rest is its atmosphere and beautiful execution. Featuring a unique
blend of technology and fantasy,
ESCAFLOWNE succeeds in captivating its
audience. While the character designs are somewhat unusual, the visuals
are gorgeous, the music fits the setting very well, and the mechanical
designs are a real treat.
When it comes to
mecha design, Kawamori is certainly no neophyte. A seasoned veteran
with a number of designs to his name, such as the GP-01 in
GUNDAM 0083,
he is most invariably associated with the show
MACROSS, and is
immortalized in the minds of anime fans for having designed the
transforming Valkyrie.
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Macross Digital Mission VF-X, by Kawamori Shoji, is due for
release on the Playstation in a few months. |
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Kawamori is more than
just a designer, however. His recent work, the incredibly successful
MACROSS PLUS, proved him
to be a capable director as well. More importantly, Kawamori is credited
as the original conceiver of ESCAFLOWNE, and while
it remains to be seen whether he can shake off his
"MACROSS" image, it's refreshing to see
Kawamori presented with an opportunity to demonstrate his creativity
outside the realm of MACROSS.
Though the concept of
ESCAFLOWNE started long before work on
MACROSS PLUS began, it wasn't
until recently that Kawamori's story saw fruition. After the successful
conclusion of the recent MACROSS projects
(MACROSS PLUS,
MACROSS 7), Bandai contacted Kawamori, provided
him with a big budget, and gave him the go-ahead on the
ESCAFLOWNE story. A large vote of
confidence in Kawamori's talents, to be sure, and the fusion of an
interesting concept, creative talent, and a large budget have proven to
be stunning indeed. |
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