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1996 Issue 50
Update by Eri Izawa
What is Shonen Sunday? Shonen Sunday is one of the largest weekly
manga magazines in Japan. Containing some of the latest and hottest
boys' manga series in Japan, Sunday has hosted such notables as
"Ranma 1/2" and the currently popular "Meitantei Conan."
Selected news from this issue:

It's been 9 months since "Ranma 1/2" ended. Now, Takahashi Rumiko's
newest series starts in this issue of Shonen Sunday! Opening this
week's magazine in full color, "Inuyasha" is the latest manga from the
author of "Ranma 1/2," "Urusei Yatsura," and "Maison Ikkoku."

Selected Overview:
Inuyasha
Takahashi Rumiko
Overview of Episode One

The first page of this new series shows a strange young man leaping
high above a burning village as he exults. He has long blue hair and
triangular dog's ears, and is triumphantly holding a small marble-like
object on a string -- the Shikon no Tama, the Ball of Four Souls,
which he has just taken. With this, he thinks, he can become a true
youkai (monster or supernatural being). But with a cry of
"Inuyasha!" the village's blood-soaked protectoress, Kikyou, shoots
an arrow into his chest and pins him to a tree. She retrieves the
Shikon no Tama and instructs her younger sister to burn it with her
body "so that evil ones cannot have it ever again," for she knows she
is dying.
In
modern-day Japan of 1996, birthday girl Kagome is about to turn
fifteen. She plays with the Shikon no Tama (now on a keychain) with her
cat, Buyo. Along with her mother, grandfather, and younger
brother, she lives on an old Shinto shrine property whose
history Kagome, for some reason, can never remember.
On
the day of her birthday Kagome is called to an old, small shrine
on the property by her brother Souta. The cat has gone into the
shrine, which contains an ancient hidden well. As Kagome goes down
into the shrine to rescue the cat, she hears a soft scratching from
the well... and it's not the cat. Suddenly, she is seized by a
strange and terrible monster: a six-armed woman with the lower body of
a giant vertebrate centipede. The creature is after the Shikon no
Tama, whose energy enables it to begin to heal its body. But Kagome
fights free.
Kagome
climbs her way out of the well, only to discover that the land
has changed. An old familiar tree is still standing -- and slumped
against it is a strange young man with triangular ears, an arrow
protruding from his body. Even as Kagome ridiculously fondles the
odd looking ears, she's captured by the local villagers. Kagome
discovers she is in Sengoku-Jidai Japan (sometime around the fifteenth
and sixteenth centuries).
The
local protector of the village, an old squat woman, takes her in.
The woman explains that Kagome looks much like the woman's elder sister,
Kikyou, whose body had been burned more than fifty
years before. But their conversation is interrupted with the arrival
of the six-limbed woman-centipede, which still seeks the Shikon no
Tama and is killing those in its path. Kagome learns that her only
hope is to get the creature back into the old dry well, and dashes
back toward it. Meanwhile, Inuyasha stirs from where he is pinned to
the tree, and catches the scent of the woman who killed him....
Review of Inuyasha:

Fans of Takahashi Rumiko who are looking for the same slapstick comedy
of "Ranma 1/2" may be disappointed with this new story, which has so
far seemed closer to Takahashi's darker "Fire Tripper" and the
brooding "Mermaid" stories. Still, flashes of classic Takashi humor
manage to shine through here and there, and even "Ranma" started off
serious and lightened up as it went along.
The
heroine seems almost a little dull, judging from her delayed and
subdued reactions to encountering a strange monster in a dry well --
but that may be simply a result of my having seen an enraged Akane kick
Ranma through the ceiling far too many times. The story, however, has
the faintly nightmarish quality of a good fairy tale. Inuyasha and
his history also pose an interesting question mark.
Overall,
the manga seems more serious and far darker than most of
Takahashi's super-popular series. It is too early to judge
anything much beyond that. The author notes that "Inuyasha" is based
on past and present tales and legends, and hopes that readers will
cheer on the new series even more than they did for "Ranma" and
"Urusei Yatsura." Whether this will happen or not, only time will
tell. But purely based on Takahashi's past works, following "Inuyasha"
as it unfolds will almost certainly be well worth the reader's while.
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