![[MANGA REVIEWS]](images/section_manga.gif)

|


Vol 1
by Jim Elliott
For many years now, one of my favorite comics has been SPACE FAMILY
CARLVINSON by Asari Yoshitoh. Unfortunately, it has often been a difficult
title to find in stores. Serialized monthly in SHONEN CAPTAIN,
it may not be the easiest title to find in bookshops but it has always proven to be
worth the search.
SPACE FAMILY CARLVINSON was Asari's breakthrough work when it first began
in 1986, and it remains perhaps his most popular comic. Readers of Newtype
may recognize his art style from his "Let's Go!! Unagi-chan!" shorts that
have appeared infrequently in Comic Genki. Unagi-chan, a bizarre parody of
the Sailor Moon stories, is also a good example of his outlandish humor
style. Asari keeps his art very clean and sparse, though his attention to certain
details such as cerebral wrinkling and intestines can be quite impressive.
His treasures, though, tend to be his facial
expressions -- even though the majority of his characters are non-humanoid,
he can bring life, character, and humor to them all. Knowledge of Japanese
is a definite help in reading his manga, however, as much of his humor is at
least partially verbal.
The
story begins as a travelling theatre troupe's spacecraft grazes an
unidentified ship along the borders of explored space. The mysterious ship
crashlands on a nearby planet and the group lands to investigate. The ship
is of a type never seen before, and the only survivor in the wreckage is an
infant of an unknown species, shielded from the crash by the bodies of her
parents. Because they have no
way of knowing the child's race or home planet, they resolve to become her
family and raise her on that frontier planet until another ship from her
species comes along and they can return her to her people. Five years pass,
and the young human girl
Corona-chan grows up firmly believing that the odd collection of beings
around her are her true family.
Corona-chan's
family is by no means a normal one. Mother is a large,
purple furball with vaguely cat-like features. Father is a compact piece of
transforming mecha, not too bright but rumored to have once been a powerful
war machine. Taa-kun, relegated to being Corona's "pet squirrel," is
essentially a
self-animate humanoid central nervous system. Belka, the group's only
human-like member, takes over as the local sheriff. And their mobile
computer, Andy, runs the local general store. Naturally, Corona's home life
isn't exactly normal, but with nothing to compare against, she has no way of
knowing.
Corona
and her family live in a small town with a rustic feel, and many of
the stories draw from the city and its inhabitants. Like a town in the old
west, strangers wander into town with a grudge to settle or a scheme to
play. Lyka, a devil-girl and an old school friend of Belka's, tracks her
to the village to seek revenge
for old wrongs. But her plans for vengeance never come out right
because of Belka's near-invulnerability while she's asleep. Lyka moves in
with Shovel Mouse (a four-foot high mouse who carries a shovel, obviously)
until she can figure out how to achieve her ultimate revenge.
The
local run-down movie theatre is owned by John, the dog-shaped
proprietor whose tastes run to questionable science fiction and monster
films. John also has the ability to grow tendrils and body parts, detach
his head, and rearrange his internal organ s in a way familiar to anyone who
has seen the 1980's remake of THE THING. Asari's fondness for Carpenter
films becomes clearer throughout the
series. (One of my favorite stories is a parody of THEY LIVE. True to
form, a multi-page World Wrestling Federation-style fight scene breaks out
in the middle of the story for no particular reason.)
It
is difficult to briefly describe the series because most of the stories
are short and self-contained; perhaps a luxury of a monthly-published comic.
Yet most stories relate to Corona-chan and her unusual childhood. Mother is
shrewd and strict, Father is overly generous and not too bright, and Taa-kun
is long suffering as
the often abused pet. In her unusual home life, we see the common
experiences of childhood, and as she begins to learn that these are not her
true parents, we see that it makes little difference. These are the people
who care for her and love her. And that, more than anything else, makes
them family.
SPACE FAMILY CARLVINSON
by Asari Yoshitoh
Shonen Captain/Tokuma Shoten
ISBN # 4-19-836540-7 (volume 1)
¥410
|
 |