![[EDITORIAL]](images/section_editorial.gif)

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Some of these thoughts have been rumbling around in my head for some time,
and when it came time to write this editorial, they just sort of broke free
and took control of my typing. So sit back, relax, and enjoy the
semi-stream-of-consciousness ramblings of the EX Editor in Chief.
Where's the Plot?

This has been bugging me for some time. Okay, GUNDAM
MS08 has had some
problems (like the director dying 2 episodes into the production), but I
would think he left some notes or something about the direction of the
series, and more importantly, about the Jion's new secret weapon. Recent
episodes showcase a different relationship between characters in the
MS08,
and is punctuated by the top secret special enemy mobile armor flying around
and looking dangerous, kind of like a robotic bowling ball on steroids. (In
other words, "filler.") You would think they would have had time to figure
where this all was going by now. But instead, the writers seem to be saying
to the animators, "Just draw something we'll figure this out sooner or later."
Great Shades of Elvis!

One of the things that anime has always been known for is far-out hairstyles
that defy the laws of gravity, physics, and color separation. Who can
forget Kei's (from the good DIRTY PAIR,
not that FLASH stuff) wolf cut, or
Big Mam's hair in BAKURETSU HUNTER,
or Mylene's lovely pink tresses? The
hairstyles to astound and amaze has gone on for ages, and continues to do
so. But "sideburns" on female characters has got to stop! It started with
NADESICO and has crept into GALL FORCE:
THE REVOLUTION. Hair that curls
around in front of the character's face. It's bizarre and just plain
disturbing.
If Bill Gates Ran NERV

Production problems seem to abound in anime projects these days and just
like the computer industry, release dates keep being pushed back. However,
in what may be a first, GAINAX took a page from
Microsoft's release handbook and released an incomplete feature film:
EVANGELION: DEATH AND REBIRTH.
Even though the movie contained only approximately 50% new
footage, and even though it was in production since last summer, when the
deadline rolled around they didn't have the entire film done. The result?
Release of an incomplete movie (to meet contractual obligations) coupled
with the promise of REBIRTH 2 by the end of the summer. A creative solution
in the anime industry, but it sounds suspciously like what happened to
Windows 95 and now Windows 97. I can't help but wonder if GAINAX, with its
seeming inability to meet deadlines, is a subsidary of the Microsoft
Corporation.
But what does all this mean? It means, quite simply, that as much as we
might like anime (and for some of us that's quite a bit), we shouldn't take
it as the be-all and end-all of our lives.
Ex animo,
 
Charles McCarter
Publisher/Editor in Chief |
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Charles McCarter

Keith Rhee

Chad Kime

Peter Cahill
Roderick Lee
Charles McCarter

Peter Cahill
Eugene Cheng
Ken Cho
Eri Izawa
Mark Johnson
Roderick Lee
Egan Loo
Charles McCarter
Maria Muñoz
Taku Otsuka
Keith Rhee

Pat Conley
Geir Friestad
Chris Kohler
Tom Larsen
Eugene Moon
Keith Rhee

David Van Cleef
Scott Frazier
Geir Friestad
David Ho
Jeremy Johnson
Dickinson Lo
Eric "Scanner" Luce
Mark Simmons
Christian Wagner

Eric "Scanner" Luce

The SPJA (Society for the Promotion of
Japanese Animation) and
OBJECTIVE CONSULTING INC. for donating
server space and making this magazine possible.

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COPYRIGHT © 1997. ALL RIGHTS RESERVED.
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