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Volumes 1-2
Story and Art by Shiki Satoshi
Copyright © 1998 Shiki Satoshi



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by Rika Takahashi
Over 30 manga titles are featured each month in the popular
seinen manga magazine AFTERNOON. You
probably know that this magazine is the home of AH! MY
GODDESS, as well as a multitude of titles covered in past and
present issues of EX. One good thing about this
magazine is that the average reader can get a vast variety of reading
material by flipping through the 800+ pages, and among the multitude of
stories and art styles, the reader is bound to find something he
likes. KAMIKAZE is one title that caught my
interest.
When this reviewer first picked up KAMIKAZE, the first reaction was that it would be
another "armageddon" type manga, with supernatural humans searching for
their enemy. But as the story went on, it seemed that there was
something more than just the stereotypical "last battle for the
continuation of humanity" that seems to be a popular topic of manga
nowadays.
The story begins, after a short prologue in a subway station,
with a battle between followers of "Kaede" and Ishigami Kamuro. But
the odd part is that both sides seem to share a characteristic trait:
they are all involved with supernatural beings called "matsurowanai
kegai no tami". Just what exactly are these "kegai no tami"? The
truth is yet to be seen, but there are hints that they have powers
associated with their alignment such as earth or water.
The story revolves around Kamuro, who is dubbed "man of
earth" by his opponents, and Mikogami Misawo, who is called the "woman
of water" by the same group. The group wants Misawo for some reason
yet to be disclosed, while Kamuro doesn't want her to fall into their
hands. The details of the opposing group are still shrouded in
mystery, but it seems to be full of beings with supernatural powers.
Each character has a physical characteristic of the
stereotypes usually associated with their personalities. (In this
reviewer's opinion, Kamuro looks and acts like Squall in the beginning
of FINAL FANTASY 8.) Of course, a couple of them
have physiques that can't possibly be human, but that's what
supernatural powers are for, right? One volume is not nearly enough to
fully develop characters of a story that seems to be plotted on
relatively large scale. In fact, the whole volume seemed more about
introducing the main characters more so than developing them.
Nonetheless, there is a slight bit of development in Misawo's character
as she learns of her fate as a part of what is to come.
If this reviewer had to sum up the art in once word, it would
be ziptone. Lots of ziptone. (This reviewer imagines endless racks of
ziptone shelves...) Overall, the artwork matches the atmosphere of the
storyline quite nicely. The action scenes tend to be busy with motion
lines, but that seems to help bring out the amount of chaos and
destruction that these supernatural beings are causing to their
surroundings. Even if body parts fly, it doesn't seem as grotesque as
it should. Initially, the art seemed reminiscent of Hagiwara (of BASTARD!! fame), but as one reads on, Shiki's own
style starts to show through. Even then, it still is a part of the art
style that is now so common for fantasy-style manga. And as they say,
why fix something that's not broken?
This shouldn't be too much of a "hard" read despite the lack
of yomigana over most of the kanji (after all, the magazine tries to
target college-age and older folks). The names may take a little
getting used to (as they really aren't "common" names), but the story
is well worth the effort. 
Serialized in AFTERNOON (published by Kodansha)
2 volumes, ongoing
2 color pages and approximately 260 black/white pages
Vol 1: ISBN4-06-319918-5
Vol 2: ISBN4-06-334055-4
¥781
Available now in Japan
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