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TUXEDO GIN
by Matsuura Tokihiko

TUXEDO GIN featured a young man named Kusanagi
Ginji, who, due to a motorcycle "accident," was forced to transmogrify
into a penguin. In love with a girl named Minako, "Gin-chan" acted as
her friend, pet, and protector even while in aquatic avian form.
In recent issues, Minako becomes the target of Kurosaki, the
man who had killed Ginji's human self. Ginji, however, refuses to give
up on his beloved, and he sacrifices his life to rescue the kidnapped
Minako, even though it means he cannot return in human form. Minako
herself suffers amnesia; she does not remember Gin-chan's sacrifice,
and believes him on his way to the Antarctic with his other penguin
friends.
But the little Buddhist monk angel with halo and wings, the
one who long ago had given Ginji the option to turn into a penguin,
also witnessed Ginji's sacrifice. Deeply moved, and seeing Minako's
double loss of her best friend penguin and the man who loves her, he
offers up his own life energy to give Ginji back his human life. Now
doomed to an unconscious state while Ginji lives out his life, the
angel gives Ginji his final farewell. Soon thereafter, Minako receives
a simple message on her pager from Ginji"I'm home, Ginji." Ginji
has returned at last.
In Issue 7, Ginji and Minako have already been going out
for four months but still have never even held hands. All is going
well for them and their friends; in fact, Ginji even runs into
once-avian Misako, now back to being human, just like Ginji.
Feeling awkward being called "Ginji-san" by Minako, he
suggests she now call him "Gin-chan," his childhood nickname. Minako
momentarily sees her beloved penguin's face alongside Ginji's. And
just as they're about to get romantic, the giant screen
TV near them blares out
"PENGUINS!! Countless penguins are resting
their wings!!" A reporter has found a big cluster of penguins on an
ice floe, and whom else does the camera focus on but penguin Mike,
rejoicing in his new-found penguin paradise?
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INUYASHA
by Takahashi Rumiko

Overview: Kagome is a modern student teamed up with the
strange boy Inuyasha in 15th or 16th century Japan, seeking to
retrieve the fragments of the magical Shikon No Tama, and trying
to stay one step ahead of the evil Naraku.
This Issue: A weakened Kagome has shot an arrow at
Naraku and his child-creation Kanna, the child who holds the mirror
that captures souls. The arrow is swallowed by the mirror, which once
again tries to steal Kagome's soul, but her soul proves too strong
for it. Kanna is forced to let go of the stolen souls, lest Kagome
destroy the mirror. Naraku, Kagura and Kanna escape, leaving Miroku,
Sango, Shippou and Kagome to tend to the badly injured Inuyasha. They
discuss how Naraku has an almost complete Shikon No Tama, which they
now know is the source of power that created Kanna and Kagura, and
which, more disturbingly, they also know was given to him by Kikyou.
But why did Kikyou give her hated nemesis the jewel? Meanwhile, Kikyou
is in a far village, tending the sick. But Naraku comes to her,
telling her that Inuyasha now despises her....
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JAJAUMA GROOMING UP!
by Yuki Masami

Overview: Although originally a city boy, young Kuze Shunpei
has taken to working as a farm hand at the Watarai racing horse
breeding farm; he also has taken to Watarai Hibiki, one of the
Watarai daughters.
This Issue: Hibiki's twin brother, professional
jockey Yuuki, has unexpectedly arrived back at the farm before Shunpei
and Hibiki. With supreme arrogance, he interrogates them about their
relationship. His shock about their plans to marry is matched only by
his surprise about the lack of family opposition. His last great shock
comes when he finds out Hibiki is pregnant. He indignantly yells at
Shunpei, demanding to know who gave him permission to mess around with
Hibiki, but Hibiki puts him back in his place by informing him that
she did. After that, the conversation is skillfully shifted to
Yuuki's own personal life. The next day, Yuuki is prevented from
riding the race horse that Shunpei is working with, and, apparently
realizing that he has no authority at the Watarai farm, he at last
bids a rude but resigned farewell to Shunpei.
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MAJOR
by Mitsuda Takuya

Overview: Honda (Shigeno) Goro, from his early years in grade
school, has been striving to become a professional baseball player
like his deceased father. Now, in Kaidou high school, he is facing
new challenges.
This Issue: Shizuka, the current director, has been
beaten: Goro and Satou have successfully brought their team to
victory, and are now no longer threatened with being kicked out (at
least for now). She calls her father to cancel the day's meeting. In
the locker room the boys meet the other students, who remind them
they're now all part of the same team, but that they are also
competitors for the coveted starting slots. Shizuka meanwhile speaks
with the ace pitcher, who at the end let Satou have his home run;
she is just beginning to realize that Goro and Satou are players to
be reckoned with. Finally, Goro, at Satou's suggestion, heads off
to find icing supplies for his shoulder. As he digs around in the
empty trainer's room, he is stopped by a remarkably frightening
man(?) who looks sort of like a woman(?)....

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