EX Magazine | EX Home | Feedback | Search | FAQ | Prev | TOC | Next
Editorial

Editor in Chief
Charles McCarter

Design Editor
Keith Rhee

Associate Editor
Kenneth Jin-Ho Cho

Production Manager
Chris Kohler

Assistant
Production Manager

Rika Takahashi

Organizational Consultant
Chad Kime

Copy Editors
Kenneth Jin-Ho Cho
Charles McCarter
Michael Poirier

Staff Writers
Peter Cahill
Kenneth Jin-Ho Cho
Eri Izawa
Mark Johnson
Kenneth Lee
Eric "Scanner" Luce
Egan Loo
Charles McCarter
Michael Poirier
Maria M. Rider
Keith Rhee
Rika Takahashi
Ivevei Upatkoon

Production Staff
Chris Kohler
Tom Larsen
Eugene Moon
Keith Rhee
Rika Takahashi
Tom Tjarks

Contributors
Chad Kime
John Yung

SPJA Site Administrator
Eric "Scanner" Luce

Special Thanks To:
Objective Consulting Inc.

Contacting EX
If you have any comments, questions, or suggestions, please send them to ex@apricot.com.

EX: The Online World of Anime & Manga © 1996-2000 EX, The Society for the Promotion of Japanese Animation. All Rights Reserved.


Recently, I saw a thread in a newsgroup that got me to thinking. (Now there's a rare occurrence. And no, it wasn't the "Enterprise vs. Yamato vs. Gekiganger" debate.) Someone said that they didn't trust a reviewer unless they were "professional." Now, this person's definition of professional was "getting paid for writing the reviews." He rattled off several magazines and cited their writers as "professional." Of course, this was based on his assumption that these writers were getting paid when in fact, they may or may not have been.
  However, I don't define "professional" in such narrow terms as whether you get a paycheck or not; it's all about your attitude. I used to teach a Japanese Humanities class, and this class had a very strong writing element. Dealing with freshman and trying to get them to write was not the easiest of tasks. I would always say to them, "You're free to say whatever you want in your writing, as long as you can back it up." Developing analytical and communication skills are key if one is going to make a successful argument for or against anything.
  When I talk to prospective EX writers, I always give them the same kind of advice: you are free to like or dislike anything, but as a reviewer, you are obligated to explain why so that others may understand. After all, if you don't like mecha stories, then GUNDAM—no matter how beautifully animated—just isn't going to appeal to you. Or if a certain voice actress grates on your nerves like fingernails on a chalkboard, that's going to affect how you feel about a show in which she has the lead. You can like stuff. You can hate stuff. You just have to explain why. And just like when we were kids, "just because" doesn't cut it. (Well, not with my Mom anyway...)
  Being professional is also presenting your thoughts and ideas in a coherent, comprehensible structure. And trust me, I've seen some articles written by so-called "professionals" that would make you wonder if they were written by a native English speaker, or if they had actually watched the show they were writing about.
  Being professional is about attention to detail. Sure, everyone makes mistakes. But when you do, as someone striving to be professional, it is your obligation to fix them. Typographical and factual errors should be corrected. Information should be accurate. This is why newspapers and magazines print corrections and retractions. This is why people check their facts. And most people don't know it, but this was one of the major reasons for the invention of the spell checker—to help people seem more professional, at least on the surface.
  Being professional is not about having an ego, but about recognizing your importance in the scheme of things. You're writing about the show, not about yourself. Sure, as a writer you have an important job, but don't get in the way of your own article. Too many times people have gotten carried away with their own enthusiasm and I have read articles that begin as a review of something and end up as little more than a one-sided "you should listen to me because I'm right" argument. Maybe you are and maybe you're not, but telling people you're right isn't going to make them change their mind.
  Attention to detail. Focused attitude. Clear expression of ideas. These are the hallmarks of a professional; it's not about if you get paid five cents a word to write the article. It's about how you feel about the article and yourself after you've finished. Many of the most "professional" writers I have ever seen have not been paid for their work. Yet it is still some of the best work I've ever seen. It's great if you can make a living at writing, but not everyone can. And those that write without financial compensation are no less worthy of respect, their opinions are no less valid. They may not be writing for the NEW YORK POST, but that doesn't mean they can't write.

Ex animo,

Charles McCarter
Publisher/Editor in Chief

EX MagazineCopyright (c) 1996-2000 SPJA, 
			EX: The Online World of Anime & Manga. All Rights Reserved.
EX Home | Feedback | Search | FAQ | Prev | TOC | Next