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CD Reviews Gasaraki

Copyright © 1998 Sunrise, TV Osaka

20 tracks, 50:24

1.    MESSAGE #9  3:55
   Vocal: Tane Tomoko
2.    tie  3:40
3.    oroshi [Katabatic Wind]  2:57
4.    unknown  2:28
5.    beginaction  2:56
6.    Schrreal  2:59
7.    SCRAMBLE  2:02
8.    B.A.D.G.E.  2:35
9.    Kryptic  3:12
10.    kugai  1:50
11.    HEAT  1:09
12.    armaments  2:12
13.    MIHARU  2:08
14.    shikimi  2:19
15.    2:10
16.    guerrilla  1:14
17.    battlefield  1:03
18.    densho [Legend]  3:36
19.    tsuki [Moon]  2:11
20.    LOVE SONG  3:48
   Vocal: Tane Tomoko


—by Michael Poirier

Perhaps more than any other anime soundtrack I have listened to, the GASARAKI OST composed by Haishima Kuniaki most brilliantly captures the mood and central motif of the show it accompanies. Through the powerful interplay of traditional Japanese and contemporary instruments, the music to GASARAKI eloquently reflects the theme of ancient love and reincarnation in the heat of modern warfare—the very thing that makes GASARAKI such an incredible anime in the first place.
  The tracks on this CD vary between marches and dirges, mournful threnodies and evocative calls-to-arms. This is music for invading another country with your giant robot while haunted by ancient spirits, and for protecting your loved ones from other demons/robots. Some of the tracks are ghostly, spooky songs, with undercurrents of moaning voices and howling wails. They reflect the mystery and horror of the spiritual world around GASARAKI.
  It was the opening theme of the show that first possessed me, long before I'd even seen a singe episode of the series. "Message #9" is a haunting yet energetic mixture of flutes and synthesizers, sung by Tane Tomoko in a breathy English whisper. Enigmatic lyrics such as "The dream you had/ Before you were born/ The dream that has died out..." symbolize the tension in the show between the spirits of the past still at war, or falling in love once more, here in the future. The bridge of "Message #9" features ominous Shinto chanting, with a warlike percussion in the background, again masterfully mirroring the ancient mysticism and modern combat that provides GASARKI with its central conflict.
  The song called "Demon" further evokes with the combination of traditional Japanese music and modern melodies. As a flute wails and drums beat, the deep and moribund Shinto chant rises and falls. The voice moves against the rhythm, exerting its own terrifying influence on the music, leading to a screeching and demonic conclusion.
  The track entitled "unknown" on the other hand, opens with an ethereal chorus that blends into the sound of one mellifluous voice keening as harps, pianos and one flute delicately play in the background. This is a heavenly song, beautifully creating a moment of peace amongst the other, more virulent tracks.
  "Beginaction" begins with looming stringed instruments, then quickly develops into a clash of horns and cymbals, recreating the fervent combat onscreen. Like many of the tracks on this CD, the dramatic use of percussion reinforces the martial theme central to GASARAKI. Many of these tracks are battle songs, and even the ones not directly related to combat contain the undercurrent of this violence in their percussion background.
  Fittingly enough, "Kryptic" is one of the most ominous tracks on the disc, featuring subdued strings and a baritone chorus of moaning voices. "armaments" is another of my personal favorites, as a single trumpet intrudes over a swelling mix of strings and other horns as drums beat in the background. Ultimately, this movement culminates with the hint of distorted voices and a final, dramatic finish. The quietly caterwauling voice of track 15 creates a powerful contrast to the plinking percussion and muted strings in the background, further enhancing the ominous atmosphere that suffuses GASARAKI. These spectral voices arise in haunting unison again in "tsuki," leading to the final ballad of the closing song.
  "Love Song" opens with Tane Tomoko's voice, alone and echoing in Japanese. As strings and flutes gently play, her singing ranges from husky intimacy to high-pitched lilting to a breathless moan. This is a patient and quiet song, closing the soundtrack with powerful emotional sensitivity that is the final, elegant piece in GASARAKI's masterful blend of war and mysticism.

Product Information

Victor Entertainment, Inc.
VICL-60295
¥3045
Available now in Japan
Where to buy

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