

Copyright © 2000 Shogakukan
Last Issue's Update
[2000 Issue 32]


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2000 Issue 42
Published by Shogakukan
Update by Eri Izawa
What is SUNDAY?
SHONEN SUNDAY is one of the largest
weekly manga magazines in Japan. Containing some of the latest and hottest
boys' manga series in Japan, SUNDAY has hosted
such notables as RANMA 1/2 and the currently
popular MEITANTEI CONAN.
Selected Overview:

JAJAUMA GROOMING UP!
by Yuki Masami

Overview: Although originally a city boy, young Kuze Shunpei has taken to working as
a farmhand at the Watarai racing horse breeding farm; he also has taken to Watarai Hibiki,
one of the Watarai daughters. The two marry....
This Issue: This issue: In the previous issue of GROOMING
UP! Hibiki has unexpectedly entered labor and goes to the hospital, unbeknownst to
Shunpei, who has traveled to Tokyo to watch the Japan Derby. Rather than have him return
in a rush and miss the race, Hibiki has asked that he not be told (besides, they think he
might return before the baby is born). Shunpei roots for his favorite horse, previously
named Hiko, the one he saved from euthanasia and raised himself early in his career at the
farm (Hiko had been one of a set of twins, where twins are considered too weak to ever
become good race horses). Hibiki is in hard labor (and listening on the radio to the Derby)
by the start of the race. Unfortunately for Shunpei, Hiko crosses the goal line last, but
simultaneously a certain newborn baby lets out his first scream....
In this issue's final episode of GROOMING UP!, Shunpei
greets last-place Hiko (who wants a treat), but is roundly yelled at by Hibiki's brother
Yuuki, who dislikes Shunpei's softness. In a thoroughly unhappy mood, Shunpei returns home
only to discover that his son has been born. After having a look at the baby, he goes to
meet Hibiki. With the hard defeat in mind, Yuuki's angry lecture ringing in his ears, the
missed delivery, and the baby's safe birth, Shunpei feels a complete mix of loneliness,
sadness, frustration, and joy, and is comforted by Hibiki as he lets loose the tears....
In LAST STEP, the second part of this episode, we see the
words "End Part 1"; a 31 year old Tazuna, a
novelist, is telling Shunpei's son Kyouhei (15 years old) that since
Shunpei hasn't yet made a Derby horse, there's no final ending to the story. Arriving at
the site of the Derby, they meet up with Watarai Satoru, who is now 38
and boss of the Chiba Watarai Farm. Back at the ranch, we see Hibiki's father (now
64), little Kuze Akari (5), Watarai Hizume
(now 28), Hibiki's mother (now 61). At the
Derby, meanwhile, Abumi (38 year-old housewife and married to Satoru)
is naturally lost. Kyouhei has found Yuuki, and they chide each other on Shunpei's failed
Derby horse attempts, and Yuuki's age (he's 35 and may not be a
jockey for much longer). At the ranch, meanwhile, Kuze Honoka (11),
tells her grandparents that someone named "Ume" has emailed. She then goes to fetch her
parents because the race is about to start. Back at the Derby, Kyouhei is sent to find
Abumi ... and along the way runs into a pretty, long-haired girl. In the final frame, we
see Hibiki, Honoka, and Shunpei in the paddock, preparing to go in to watch the Derby.
And thus, spring returns.
With this last episode ends the six-year-old manga that went to unusual places for
a boys' series: simple work on a ranch, the harsh realities of a competitive industry,
pregnancy as a consequence of sex, and on into marriage. Yet, despite the unusual topics,
the power of GROOMING UP! actually lies in its normality and adherence
to the details of every day, normal life. Of course, like any good manga, its characters are
memorable, its art compelling, but still, GROOMING UP! struck home
because it was fundamentally about homethe daily existence of a normal person doing a
normal job and starting a normal family. No sudden flashes of insight, no sudden miraculous
character growth (OK, there were one or two minor miracles of
coincidence, but life has those aplenty), just the slow, steady rhythm of life, of the seasons,
birth, growth, and renewal. In its simplicity, it brings hope and reassurance to its readers,
mainly young people who are looking into the unknown years that our hero has just passed
through. And that, undoubtedly, is why the series ends with the return of spring, the
ever-present promise of new life and new tomorrows.

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