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HUMMINGBIRD '95 SOUNDTRACK
Kaze no Uta & Yume no Basho E
(Song of the Wind & To the Place of Dreams)
Toshiba EMI
TYCY-5441
95.5.31
¥3000
by Roderick Lee
Total Length: 51:36 (21 tracks)
| 1. |
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My Blue Paradise (4:01) |
| 2. |
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Saigoshuu Shinjinshou Jushou (1:03) |
| 3. |
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Kutsurogi no Hito Toki (1:29) |
| 4. |
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Masaka no Haisen (2:33) |
| 5. |
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Shousoku Fumei (2:03) |
| 6. |
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Angel (2:18) |
| 7. |
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Enemy (1:08) |
| 8. |
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Netsui Omoi (1:33) |
| 9. |
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"Porigon" na Taisen (0:35) |
| 10. |
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Kesshin (1:21) |
| 11. |
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Kyuushutsu he... (1:40) |
| 12. |
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Shitsuren Zenya (4:59) |
| 13. |
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Petore (1:32) |
| 14. |
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Yuujou Soshite Kanduo (1:33) |
| 15. |
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Nakimushi no Mermaid (Acoustic version) (5:50) |
| 16. |
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Shin Nichi Seikigun no Gyakushuu (1:34) |
| 17. |
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Booei Kaigi (1:33) |
| 18. |
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Yuruginai Sakusen (2:05) |
| 19. |
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Jounetsu (5:13) |
| 20. |
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Ikken Rakuchaku (1:07) |
| 21. |
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Yume no Basho E (To the Place of Dreams) (4:38) |
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Let's face it. IDOL BOEITAI HUMMINGBIRD (IDOL DEFENSE FORCE HUMMINGBIRD) is not going to win any awards for
innovation in plot, though its premise is unique. HUMMINGBIRD's appeal has always been its seiyuu (idol
singer) component, and it makes no attempt to hide its purpose as a
seiyuu presentation vehicle wrapped around an animated story. Indeed,
both Shiina
Hekiru and Kusachi
Fumie launched their careers with the original HUMMINGBIRD. Thus, it is with no qualms that this
reviewer admit to the fact that this review itself comes without having
seen the 1995 OVA.
But this is not a
problem because, not surprisingly, the music stands on its own. A full
21 tracks in all, the HUMMINGBIRD '95 KAZE NO UTA & YUME NO BASHO E Soundtrack features
six vocals and fifteen instrumental BGMs. Current HUMMINGBIRD fans will recognize a marked increase in the
BGM content, always an improvement as far as completist-oriented
listeners are concerned.
Of course, as a
seiyuu-oriented title, the vocals are the highlight. HUMMINGBIRD '95 opens with a new track by Fumie (as
younger sister Uzuki), "My Blue Paradise," which shares the same
infectious, upbeat, and danceable qualities as the original signature
hit, "Love Wing". The difference here is that Fumie carries the song on
her own, demonstrating her two years of growth and improvement as a
voice actress and a vocalist.
The other seiyuu get
their chance to shine, too, in two separate duets. The two oldest
sisters, Yayoi and Kanna, come together as Ten-Tama Set to bring to the
audience "Ii Ko de wa Irarenai," a layered duet between talented
veterans Amano
Yuri and Tamagawa
Sakiko that starts out low-key and builds up in tempo and melody.
Which leaves Hekiru as youngest sister Mina and Mitsuishi
Kotono as middle sister Satsuki returning as Pretty Pretty to
reprise an acoustic version of their '94 duet, "Nakimushi no Mermaid".
With a minimum of musical accompaniment, the mood is quite different
from the more lively original, though not necessarily better.
Nevertheless, it is always a joy to discover a new take on a past hit
when the new version is done well, which is the case here.
The other half of
the vocal set consists of the three new tracks actually attributed to
the group Hummingbird. "Shitsuren Zenya" is remotely reminiscent of
"Koibito tachi no Crying Rain". The music is not as dynamic, but the
collective energy of the vocalists makes up for it. "Jounatsu," which is
supposed to be their final song from their final animated concert, is
typical HUMMINGBIRD fare, a straight ensemble
piece well-suited to a concert setting. The title and closing track,
"Yume no Basho E" ("To the Place of Dreams"), is a gem--HUMMINGBIRD's first and only ballad.
HUMMINGBIRD fans will find no radical changes in sound
here, which makes the ballad, with its slower, nuanced progression of
mood and key, that much better. The BGM, on the whole, sounds a bit
more subdued. Then again, this is the last of the series. Seiyuu fans
have the opportunity to listen to some of the hotter names in the
industry. Astute listeners will recognize Sakiko as one-half of TAIHO SHICHAUZO's Tokyo Policewoman Duo, released in North
America by JVC Music. And, of course, Mitsuishi Kotono has become
synonymous with SAILOR MOON, and, more recently, EVANGELION's Misato. A top cast and fun, upbeat
music. This is the HUMMINGBIRD formula, and this
is what HUMMINGBIRD '95 provides. |
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